The consequences of fiction
Nigel Krauth
Abstract
Nigel Krauth
Abstract
I started writing short stories when I was twenty-six. At that stage in my life I had been married five years and I was falling in love with every beautiful woman I saw. It seemed to me that there were fabulous women everywhere: in the corridors at work, behind the paint display stands in hardware stores, in advertisements for women's underwear, in station wagons waiting at traffic lights. I fell in love with each of them, instantly. I went through them in my mind each night, remembering them, ranking them. Who was the best-looking woman I had seen that day? What would she be like? What would I do with her? I had a daughter, a demanding job teaching literature, a large mortgage. I relieved my claustrophobia with fantasies.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
I started writing short stories when I was twenty-six. At that stage in my life I had been married five years and I was falling in love with every beautiful woman I saw. It seemed to me that there were fabulous women everywhere: in the corridors at work, behind the paint display stands in hardware stores, in advertisements for women's underwear, in station wagons waiting at traffic lights. I fell in love with each of them, instantly. I went through them in my mind each night, remembering them, ranking them. Who was the best-looking woman I had seen that day? What would she be like? What would I do with her? I had a daughter, a demanding job teaching literature, a large mortgage. I relieved my claustrophobia with fantasies.
Key concepts: Fell, Falling (accident), Daughter, History, Advertising, Art, Visual arts, Psychology