The Renaissance of a Clerical Style of Chinese Calligraphy in Qing Dynasty and Its Culture Foundation
Tong Zhang
Abstract
Tong Zhang
Abstract
The Renaissance of a clerical style of Chinese calligraphy in Qing Dynasty was not only the result of its own development,but also due to its broad and deeply cultural foundation.During the late Ming Dynasty,“Yi Fang”clerical style was the reform within“Tie Xue”,however,it aesthetically enlightened the reform in the Qing Dynasty thought.The decline of Tie Xue forced the scholars of Qing Dynasty to make new research,which came the renaissance of Li Shu.Li Shu was prosper because of quantity of unearth cultural relic appearing,the beginning of textual research on metals and stones,and the found of the stone tablet study,which welcomed the complete renaissance of Li Shu of Qing Dynasty.
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The Renaissance of a clerical style of Chinese calligraphy in Qing Dynasty was not only the result of its own development,but also due to its broad and deeply cultural foundation.During the late Ming Dynasty,“Yi Fang”clerical style was the reform within“Tie Xue”,however,it aesthetically enlightened the reform in the Qing Dynasty thought.The decline of Tie Xue forced the scholars of Qing Dynasty to make new research,which came the renaissance of Li Shu.Li Shu was prosper because of quantity of unearth cultural relic appearing,the beginning of textual research on metals and stones,and the found of the stone tablet study,which welcomed the complete renaissance of Li Shu of Qing Dynasty.
Key concepts: Calligraphy, The Renaissance, Style (visual arts), Foundation (evidence), Art, China, Classics, Ancient history