2006Journal of Sichuan Normal UniversityRequires access

On Tripartite Confrontation of Feminist Literary Criticism of New Period

Deng Li

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Abstract

The feminist literary criticism of China's new period does not move solely toward western feminist criticism,but presents a segmentation of all powerful kingdoms of the Warring States Period,of which three categories of criticism show a tripartite confrontation situation,consequently form its character of the unity of cultural criticism and aesthetic pursuit,and render it tolerant and open as a system of Chinese living utterance.

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The feminist literary criticism of China's new period does not move solely toward western feminist criticism,but presents a segmentation of all powerful kingdoms of the Warring States Period,of which three categories of criticism show a tripartite confrontation situation,consequently form its character of the unity of cultural criticism and aesthetic pursuit,and render it tolerant and open as a system of Chinese living utterance.

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Available abstract

The feminist literary criticism of China's new period does not move solely toward western feminist criticism,but presents a segmentation of all powerful kingdoms of the Warring States Period,of which three categories of criticism show a tripartite confrontation situation,consequently form its character of the unity of cultural criticism and aesthetic pursuit,and render it tolerant and open as a system of Chinese living utterance.

Key concepts: Criticism, Period (music), China, Literary criticism, Character (mathematics), Utterance, Theatre criticism, Literature

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