On Tripartite Confrontation of Feminist Literary Criticism of New Period
Deng Li
Abstract
Deng Li
Abstract
The feminist literary criticism of China's new period does not move solely toward western feminist criticism,but presents a segmentation of all powerful kingdoms of the Warring States Period,of which three categories of criticism show a tripartite confrontation situation,consequently form its character of the unity of cultural criticism and aesthetic pursuit,and render it tolerant and open as a system of Chinese living utterance.
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The feminist literary criticism of China's new period does not move solely toward western feminist criticism,but presents a segmentation of all powerful kingdoms of the Warring States Period,of which three categories of criticism show a tripartite confrontation situation,consequently form its character of the unity of cultural criticism and aesthetic pursuit,and render it tolerant and open as a system of Chinese living utterance.
Key concepts: Criticism, Period (music), China, Literary criticism, Character (mathematics), Utterance, Theatre criticism, Literature