2009Early Child Development and CareRequires access

Growing up and growing old: communities in counterpoint

Patricia A. St. John

Open publisher page 10 citations

Abstract

Using a socio‐cultural lens, this study explores two unique populations participating in an intergenerational music experience: seven infants/caregivers (ages 3–16 months) and eight retired women religious (ages 70–94). I was curious to examine how music‐making across ages might facilitate new‐found meaning for old people whilst simultaneously providing an opportunity for elders to contribute to the meaningfulness of musical experience for infants/caregivers. The researcher‐music teacher functioned as participant/observer. Six 1‐hour music sessions were offered at an independent Music Center in the USA. The videotaped sessions were reviewed and coded using peer/adult awareness as guideposts. In particular, gesture and non‐verbal communication was noted, proving to be helpful in following the trail of interactions and the quality of engagement. Participant journals and notes of informal conversations with caregivers and Sisters before/after the sessions were compiled as important complementary data to the videotaped sessions. Additionally, caregivers and Sisters completed a brief questionnaire at the end of the session inquiring about their experience.

About this research paper

What this paper is about

Using a socio‐cultural lens, this study explores two unique populations participating in an intergenerational music experience: seven infants/caregivers (ages 3–16 months) and eight retired women religious (ages 70–94). I was curious to examine how music‐making across ages might facilitate new‐found meaning for old people whilst simultaneously providing an opportunity for elders to contribute to the meaningfulness of musical experience for infants/caregivers. The researcher‐music teacher functioned as participant/observer. Six 1‐hour music sessions were offered at an independent Music Center in the USA. The videotaped sessions were reviewed and coded using peer/adult awareness as guideposts. In particular, gesture and non‐verbal communication was noted, proving to be helpful in following the trail of interactions and the quality of engagement. Participant journals and notes of informal conversations with caregivers and Sisters before/after the sessions were compiled as important complementary data to the videotaped sessions. Additionally, caregivers and Sisters completed a brief questionnaire at the end of the session inquiring about their experience.

Why it matters

OpenAlex reports 10 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Using a socio‐cultural lens, this study explores two unique populations participating in an intergenerational music experience: seven infants/caregivers (ages 3–16 months) and eight retired women religious (ages 70–94). I was curious to examine how music‐making across ages might facilitate new‐found meaning for old people whilst simultaneously providing an opportunity for elders to contribute to the meaningfulness of musical experience for infants/caregivers. The researcher‐music teacher functioned as participant/observer. Six 1‐hour music sessions were offered at an independent Music Center in the USA. The videotaped sessions were reviewed and coded using peer/adult awareness as guideposts. In particular, gesture and non‐verbal communication was noted, proving to be helpful in following the trail of interactions and the quality of engagement. Participant journals and notes of informal conversations with caregivers and Sisters before/after the sessions were compiled as important complementary data to the videotaped sessions. Additionally, caregivers and Sisters completed a brief questionnaire at the end of the session inquiring about their experience.

Key concepts: Psychology, Musical, Counterpoint, Gesture, Session (web analytics), Developmental psychology, Music education, Participant observation

Related papers

Back to paper searchBrowse research topicsOriginal source
Growing up and growing old: communities in counterpoint — Research Paper | ScholarLens