On the Linear Counterpoint: Research on Technique of Counterpoint in Modern Music
Liu Yong-pin
Abstract
Liu Yong-pin
Abstract
The article was one of serial researches on technique of counterpoint in 20th century. Taken the linear counterpoint, which popular used in the early of 20th century, as an object of research, the writer discussed its content, features of conception, historical source, as well as harmony foundation, and analyzed some representative composers with their works. Furthermore, compared with the traditional counterpoint technique, the writer made academic discussion on the linear counterpoint in 20th century.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
The article was one of serial researches on technique of counterpoint in 20th century. Taken the linear counterpoint, which popular used in the early of 20th century, as an object of research, the writer discussed its content, features of conception, historical source, as well as harmony foundation, and analyzed some representative composers with their works. Furthermore, compared with the traditional counterpoint technique, the writer made academic discussion on the linear counterpoint in 20th century.
Key concepts: Counterpoint, Harmony (color), Foundation (evidence), Art, Research Object, Literature, Visual arts, Sociology