2016Universiti Putra Malaysia Institutional Repository (Universiti Putra Malaysia)Open access

Female development in the autobiographical novel of Fang E’zhen

Choon Bee Lim

Open full text 0 citations

Abstract

Fang E’zhen, a Chinese Malaysian female writer, was greatly admired in the literary arenas of both Malsysia and Taiwan in the 1970s and 1980s. the renowned poet Yu Kwang-chung once praised her as “the most endearing little girl of Muse.” Yu’s recognition has virtually shaped the public image of Fang E’zhen. However, has the “little girl” ever grown up or at least has the notion of growing up? Hua Tianya, a novel by Fang, which exhibits a distinct voice of auto diegetic narration, no doubt is an ideal text to clarify this question. It depicts the living conditions of women in particular circumstances through an apparel “feminine” language and style, and to an extent reveals the life experiences of Chinese Malaysian female in the 1960s and 1970s. based on this autobiographical novel, this paper aims to discuss the above questions from the aspects of female subjectivity and cultural identity.

Open-access reader

About this research paper

What this paper is about

Fang E’zhen, a Chinese Malaysian female writer, was greatly admired in the literary arenas of both Malsysia and Taiwan in the 1970s and 1980s. the renowned poet Yu Kwang-chung once praised her as “the most endearing little girl of Muse.” Yu’s recognition has virtually shaped the public image of Fang E’zhen. However, has the “little girl” ever grown up or at least has the notion of growing up? Hua Tianya, a novel by Fang, which exhibits a distinct voice of auto diegetic narration, no doubt is an ideal text to clarify this question. It depicts the living conditions of women in particular circumstances through an apparel “feminine” language and style, and to an extent reveals the life experiences of Chinese Malaysian female in the 1960s and 1970s. based on this autobiographical novel, this paper aims to discuss the above questions from the aspects of female subjectivity and cultural identity.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Fang E’zhen, a Chinese Malaysian female writer, was greatly admired in the literary arenas of both Malsysia and Taiwan in the 1970s and 1980s. the renowned poet Yu Kwang-chung once praised her as “the most endearing little girl of Muse.” Yu’s recognition has virtually shaped the public image of Fang E’zhen. However, has the “little girl” ever grown up or at least has the notion of growing up? Hua Tianya, a novel by Fang, which exhibits a distinct voice of auto diegetic narration, no doubt is an ideal text to clarify this question. It depicts the living conditions of women in particular circumstances through an apparel “feminine” language and style, and to an extent reveals the life experiences of Chinese Malaysian female in the 1960s and 1970s. based on this autobiographical novel, this paper aims to discuss the above questions from the aspects of female subjectivity and cultural identity.

Key concepts: Fang, Subjectivity, Narrative, Girl, Identity (music), Style (visual arts), Ideal (ethics), Aesthetics

Related papers

Back to paper searchBrowse research topicsOriginal source
Female development in the autobiographical novel of Fang E’zhen — Research Paper | ScholarLens