From the Universal to the National
Hyung-Taek Lim
Abstract
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Hyung-Taek Lim
Abstract
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With the advent of western modernity towards the end of the nineteenth century, the Chinese scriptworld deconstructed. This was the greatest transformation to take place in this region in all of its recorded history, for that history began in Chinese script. China, Japan, Vietnam, and Korea all used the Chinese script but used it in different ways. The universal system was developed uniquely in each case in interaction with the vernacular. This paper will examine the ways in which Korea adopted and negotiated with the Universal script and how Chinese writing developed with respect to Korean speech. It will conclude with some observations on the tensions brought to bear on the Chinese scriptworld by nationalization and westernization.
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With the advent of western modernity towards the end of the nineteenth century, the Chinese scriptworld deconstructed. This was the greatest transformation to take place in this region in all of its recorded history, for that history began in Chinese script. China, Japan, Vietnam, and Korea all used the Chinese script but used it in different ways. The universal system was developed uniquely in each case in interaction with the vernacular. This paper will examine the ways in which Korea adopted and negotiated with the Universal script and how Chinese writing developed with respect to Korean speech. It will conclude with some observations on the tensions brought to bear on the Chinese scriptworld by nationalization and westernization.
Key concepts: Westernization, China, Vernacular, Modernity, Chinese literature, History, Linguistics, Gender studies