2006Unpublished venueRequires access

A Displaced Image of "Late Qing Dynasty": On Wang De Wei's "Suppressed Modernity"

Zhiyun Zhang

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Abstract

Wang De Wei's commentary on the suppressed in the novels of the late Qing Dynasty has recently attracted the attention of relevant scholars.However,his theory of and his approach to literature reveal a cultural displacement,that is,his understanding of the modernity of Chinese literature has unavoidably carried his impression and feelings of American culture,which has led to a dual misinterpretation of the literature of the late Qing Dynasty and the literature of the May 4th Movement.Thus, a proper dialogic channel is to analyze the modernity of Chinese literature through literary language,which will help us have a better understanding of the historical relation between the literature of the late Qing Dynasty,the literature of the May 4th Movement and modern Chinese literature.

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What this paper is about

Wang De Wei's commentary on the suppressed in the novels of the late Qing Dynasty has recently attracted the attention of relevant scholars.However,his theory of and his approach to literature reveal a cultural displacement,that is,his understanding of the modernity of Chinese literature has unavoidably carried his impression and feelings of American culture,which has led to a dual misinterpretation of the literature of the late Qing Dynasty and the literature of the May 4th Movement.Thus, a proper dialogic channel is to analyze the modernity of Chinese literature through literary language,which will help us have a better understanding of the historical relation between the literature of the late Qing Dynasty,the literature of the May 4th Movement and modern Chinese literature.

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Available abstract

Wang De Wei's commentary on the suppressed in the novels of the late Qing Dynasty has recently attracted the attention of relevant scholars.However,his theory of and his approach to literature reveal a cultural displacement,that is,his understanding of the modernity of Chinese literature has unavoidably carried his impression and feelings of American culture,which has led to a dual misinterpretation of the literature of the late Qing Dynasty and the literature of the May 4th Movement.Thus, a proper dialogic channel is to analyze the modernity of Chinese literature through literary language,which will help us have a better understanding of the historical relation between the literature of the late Qing Dynasty,the literature of the May 4th Movement and modern Chinese literature.

Key concepts: Modernity, Dialogic, Chinese literature, Literature, Relation (database), History, Movement (music), Feeling

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