2011Journal of Jiangxi Normal UniversityRequires access

The Criticism of "Model" in Figures Commentary of Ancient Chinese

Hong Wang

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Abstract

Model is one of the important aesthetic categories in figures commentary of ancient Chinese antiquity.Learning from 'model' and becoming a 'model' had built the characters' relationship between traditional history and real future from two aspects.The prevalence of model criticism in figures commentary in the Tang Dynasty and the following era had indicated the high importance with the compliance to etiquette and moral in traditional culture of China,and the model figures always tended to reflect the classic flavor.The model figures also tended to be steady,to be moderate or follow one's heart without overstepping the boundary of right at seventy,were considered as the most supreme realm in one's life.The criticism of model was always used with fresh wind,the model figures displayed a style of freshness or elegance in whether semblance or immanence,and reflected the unity of the good and the beautiful.Besides,a lot of sentences in traditional poetries and essays connected drinking with model,they had formed a literal motif of refined drinker model.

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Model is one of the important aesthetic categories in figures commentary of ancient Chinese antiquity.Learning from 'model' and becoming a 'model' had built the characters' relationship between traditional history and real future from two aspects.The prevalence of model criticism in figures commentary in the Tang Dynasty and the following era had indicated the high importance with the compliance to etiquette and moral in traditional culture of China,and the model figures always tended to reflect the classic flavor.The model figures also tended to be steady,to be moderate or follow one's heart without overstepping the boundary of right at seventy,were considered as the most supreme realm in one's life.The criticism of model was always used with fresh wind,the model figures displayed a style of freshness or elegance in whether semblance or immanence,and reflected the unity of the good and the beautiful.Besides,a lot of sentences in traditional poetries and essays connected drinking with model,they had formed a literal motif of refined drinker model.

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Available abstract

Model is one of the important aesthetic categories in figures commentary of ancient Chinese antiquity.Learning from 'model' and becoming a 'model' had built the characters' relationship between traditional history and real future from two aspects.The prevalence of model criticism in figures commentary in the Tang Dynasty and the following era had indicated the high importance with the compliance to etiquette and moral in traditional culture of China,and the model figures always tended to reflect the classic flavor.The model figures also tended to be steady,to be moderate or follow one's heart without overstepping the boundary of right at seventy,were considered as the most supreme realm in one's life.The criticism of model was always used with fresh wind,the model figures displayed a style of freshness or elegance in whether semblance or immanence,and reflected the unity of the good and the beautiful.Besides,a lot of sentences in traditional poetries and essays connected drinking with model,they had formed a literal motif of refined drinker model.

Key concepts: Etiquette, Elegance, Criticism, Realm, Aesthetics, Literature, Philosophy, History of China

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