2013•Unpublished venueRequires access

The "Chinese Style" in Chinese Piano Music

Dai Bai-shen

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Abstract

That to pursue with nationalization as the main line,is the source power to promote the development of Chinese piano music,embodied the sense of cultural identity of the Chinese composers.The of Chinese piano music is a complex mixture that possesses the features of the styles of national,regional,genre,and even the times.It was difficult to define precisely connotation of style,but it has become a national cultural identity label of Chinese piano music in the world music field,its main line of development could be summed up as a process that develop the useful and discard the useless from similar to alike in spirit,which embodied traditional Abstract.Those issues of that style references of Chinese piano music,the lack of an unified sense of style,the inspiration of comparing of piano music in both of China and foreign,as well as some ideas on the development of Chinese piano music also were the topics discussed in this article.

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What this paper is about

That to pursue with nationalization as the main line,is the source power to promote the development of Chinese piano music,embodied the sense of cultural identity of the Chinese composers.The of Chinese piano music is a complex mixture that possesses the features of the styles of national,regional,genre,and even the times.It was difficult to define precisely connotation of style,but it has become a national cultural identity label of Chinese piano music in the world music field,its main line of development could be summed up as a process that develop the useful and discard the useless from similar to alike in spirit,which embodied traditional Abstract.Those issues of that style references of Chinese piano music,the lack of an unified sense of style,the inspiration of comparing of piano music in both of China and foreign,as well as some ideas on the development of Chinese piano music also were the topics discussed in this article.

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Available abstract

That to pursue with nationalization as the main line,is the source power to promote the development of Chinese piano music,embodied the sense of cultural identity of the Chinese composers.The of Chinese piano music is a complex mixture that possesses the features of the styles of national,regional,genre,and even the times.It was difficult to define precisely connotation of style,but it has become a national cultural identity label of Chinese piano music in the world music field,its main line of development could be summed up as a process that develop the useful and discard the useless from similar to alike in spirit,which embodied traditional Abstract.Those issues of that style references of Chinese piano music,the lack of an unified sense of style,the inspiration of comparing of piano music in both of China and foreign,as well as some ideas on the development of Chinese piano music also were the topics discussed in this article.

Key concepts: Piano, Embodied cognition, Connotation, Style (visual arts), China, Aesthetics, Identity (music), Popular music

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