"Literary Title Phenomenon" of Chinese Piano Music
Dai Bai-shen
Abstract
Dai Bai-shen
Abstract
The extensive use of titles in Chinese piano music is the inheritance of the tradition of Chinese music culture,and manifestation of contemporary Chinese policy.A classification and analysis of the literary helps to find out the theme feature and music features of the creation of Chinese piano music.The national theme is expressed by music with national style and develops the theme of traditional Chinese music in accordance of the time.The music style can be divided into lyrical,modeling,narrative and symbolic.The interpretation of the connotation of the title helps to understand the content of the music,and even the tradition of Chinese music culture as well as contemporary Chinese social and background.The title of Chinese piano works is the cultural codes to interpret Chinese music culture.
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The extensive use of titles in Chinese piano music is the inheritance of the tradition of Chinese music culture,and manifestation of contemporary Chinese policy.A classification and analysis of the literary helps to find out the theme feature and music features of the creation of Chinese piano music.The national theme is expressed by music with national style and develops the theme of traditional Chinese music in accordance of the time.The music style can be divided into lyrical,modeling,narrative and symbolic.The interpretation of the connotation of the title helps to understand the content of the music,and even the tradition of Chinese music culture as well as contemporary Chinese social and background.The title of Chinese piano works is the cultural codes to interpret Chinese music culture.
Key concepts: Connotation, Theme (computing), Piano, Literature, Music, Style (visual arts), Narrative, Popular music