Controversy to Harmony of PianSan in Early Northern Song Dynasty and OuYang Xiu's "with Style as the Rhythmical Prose"
MO Shan-hong
Abstract
MO Shan-hong
Abstract
In early Northern Song Dynasty,the opposition to Xikun School gave rise to the controversy of PianSan in the dynasty.To avoid direct conflicts traditions,Ouyang Xiu created a novel form of rhythmical via with style as the rhythmical prose,which means to employ the methods and skills of ancient style writing to the creation of rhythmical prose.Connecting with style as the rhythmical prose to with four and six characters as the style,Ouyang Xiu's ancient style writing,to some extent,blended the orderliness and antithesis of rhythmical prose's sentence pattern,bringing the rhythm of Siliu into ancient prose.Ouyang Xiu changed the absolute controversy of PianSan in traditional prose,and enabled the re-blend of Panwen and prose,forming a new style.
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In early Northern Song Dynasty,the opposition to Xikun School gave rise to the controversy of PianSan in the dynasty.To avoid direct conflicts traditions,Ouyang Xiu created a novel form of rhythmical via with style as the rhythmical prose,which means to employ the methods and skills of ancient style writing to the creation of rhythmical prose.Connecting with style as the rhythmical prose to with four and six characters as the style,Ouyang Xiu's ancient style writing,to some extent,blended the orderliness and antithesis of rhythmical prose's sentence pattern,bringing the rhythm of Siliu into ancient prose.Ouyang Xiu changed the absolute controversy of PianSan in traditional prose,and enabled the re-blend of Panwen and prose,forming a new style.
Key concepts: Style (visual arts), Antithesis, Literature, Harmony (color), Rhythm, Opposition (politics), Sentence, Art