2011•Journal of Hainan Normal UniversityRequires access

On Xu Chunzhao's Novel The Resturant

Fang Wei-bao

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Abstract

Despite his portrayal of the prime hero as a moral model in distress by continuing to apply his habitual narration of moral idealism in the first part of his novel The Resturant,Xu Chunzhao has abruptly departed from his persistent moral idealism and presented the image of moral model into an negative one in the second part of his narration—the middle part of the story in the novel.The broken narration of moral idealism in Xu Chunzhao's novel has not only signified the changes in the creation of writers but also possibly foreboded some transformation of contemporary Chinese intellectuals in their value concept of,attitute towards and narrative pattern of reality.

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What this paper is about

Despite his portrayal of the prime hero as a moral model in distress by continuing to apply his habitual narration of moral idealism in the first part of his novel The Resturant,Xu Chunzhao has abruptly departed from his persistent moral idealism and presented the image of moral model into an negative one in the second part of his narration—the middle part of the story in the novel.The broken narration of moral idealism in Xu Chunzhao's novel has not only signified the changes in the creation of writers but also possibly foreboded some transformation of contemporary Chinese intellectuals in their value concept of,attitute towards and narrative pattern of reality.

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Available abstract

Despite his portrayal of the prime hero as a moral model in distress by continuing to apply his habitual narration of moral idealism in the first part of his novel The Resturant,Xu Chunzhao has abruptly departed from his persistent moral idealism and presented the image of moral model into an negative one in the second part of his narration—the middle part of the story in the novel.The broken narration of moral idealism in Xu Chunzhao's novel has not only signified the changes in the creation of writers but also possibly foreboded some transformation of contemporary Chinese intellectuals in their value concept of,attitute towards and narrative pattern of reality.

Key concepts: Idealism, Narrative, Philosophy, HERO, Literature, Value (mathematics), Aesthetics, Epistemology

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