Analysis of the aesthetic tendency of traditional Chinese paintings of scholars
Zhimin Wang
Abstract
Zhimin Wang
Abstract
As a unique cultural phenomenon in Chinese art history,traditional Chinese paintings of scholars is a major subject in the study of Chinese painting.Traditional Chinese culture contains the humanistic ideal of the unity of heaven and human being,the unity of knowledge and action and the unity of feelings and scenes.It contains a sense of worriedness of scholars who took the world as their duty. The humanistic ideal and the sense of worriedness form the unique cultural symbol in paintings of scholars and have obvious cultural value embodied by language form. From the hints of the cultural symbol,we can see the reasons for the emergence,the law and the artistic thought of paintings of scholars.Consequently,we can explain and analyze the art style and the aesthetic tendency of paintings of scholars.
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As a unique cultural phenomenon in Chinese art history,traditional Chinese paintings of scholars is a major subject in the study of Chinese painting.Traditional Chinese culture contains the humanistic ideal of the unity of heaven and human being,the unity of knowledge and action and the unity of feelings and scenes.It contains a sense of worriedness of scholars who took the world as their duty. The humanistic ideal and the sense of worriedness form the unique cultural symbol in paintings of scholars and have obvious cultural value embodied by language form. From the hints of the cultural symbol,we can see the reasons for the emergence,the law and the artistic thought of paintings of scholars.Consequently,we can explain and analyze the art style and the aesthetic tendency of paintings of scholars.
Key concepts: Painting, Symbol (formal), Humanism, Aesthetics, Ideal (ethics), Style (visual arts), Embodied cognition, Heaven