Thinking about the Phenomenology of Doctrine of "Form and Spirit"

Form and are a pair of categories of Chinese classical philosophy and aesthetics,in their development and change,they have a profound impact on creation artistique. The concept of and and the derived dialectical movement of similarity in form and similarity in spirit have played profound and lasting role in traditional Chinese art,also have profound impact on traits of Chinese aesthetics. Categories of and embody the particular quality of Chinese theory of visual arts from the perspective of the connotation of creation practice and theory of Chinese art. At the same time we can think from the perspective of phenomenology.