On the Adaptation of the Mongolian Folk Song Nuunjiya in the Unaccompanied Chorus
XU Jing-min
Abstract
XU Jing-min
Abstract
The mix voice unaccompanied chorus Nuunjiya adapted by Mongolian composer,Mr.Yongrubu fully exerts the immense communicating power of the human voice.The work firstly uses the mutual complement through the four kinds of tamber changing,transformation of the harmony color,the range variety of the strength and the conversion of the role of the voice part;secondly,it accurately posts the inner world and the rich feeling changes of Mongolian people marrying their daughters far through the use of imitation of the counterpoint and the foil of the melody to reproduce the miss and care of the parents to the daughters and the daughters to the parents.
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The mix voice unaccompanied chorus Nuunjiya adapted by Mongolian composer,Mr.Yongrubu fully exerts the immense communicating power of the human voice.The work firstly uses the mutual complement through the four kinds of tamber changing,transformation of the harmony color,the range variety of the strength and the conversion of the role of the voice part;secondly,it accurately posts the inner world and the rich feeling changes of Mongolian people marrying their daughters far through the use of imitation of the counterpoint and the foil of the melody to reproduce the miss and care of the parents to the daughters and the daughters to the parents.
Key concepts: Chorus, Counterpoint, Harmony (color), Imitation, Communication, Folk song, Feeling, Variety (cybernetics)