1999Journal of Southwest China Normal UniversityRequires access

Music and Emotion: Analysis of Hanslick's Aesthetic Thoughts

HU Yuqing

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Abstract

The debate between “the theory of autonymy” and “the theory of non autonymy” has long been existing in the domain of aesthetics of music. It is generally held that the former clenies the role of emotion in music while the latter emphasizes the role of emotion in music. As a matter of fact, both affirm the role of emotion in music creation and appreciation, while thinking differently as for the concept of emotion and how emotion functions in music.

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What this paper is about

The debate between “the theory of autonymy” and “the theory of non autonymy” has long been existing in the domain of aesthetics of music. It is generally held that the former clenies the role of emotion in music while the latter emphasizes the role of emotion in music. As a matter of fact, both affirm the role of emotion in music creation and appreciation, while thinking differently as for the concept of emotion and how emotion functions in music.

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Available abstract

The debate between “the theory of autonymy” and “the theory of non autonymy” has long been existing in the domain of aesthetics of music. It is generally held that the former clenies the role of emotion in music while the latter emphasizes the role of emotion in music. As a matter of fact, both affirm the role of emotion in music creation and appreciation, while thinking differently as for the concept of emotion and how emotion functions in music.

Key concepts: Music and emotion, Music psychology, Psychology, Aesthetics, Cognitive psychology, Music history, Emotion work, Philosophy of music

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