What Music Teaches about Emotion
Geoffrey Madell
Abstract
Geoffrey Madell
Abstract
It is a remarkable feature of most contemporary discussions of emotion that they have been conducted without any reference to what it could mean to talk of the expression of emotion in music. This is a crucial absence, I shall argue, since a proper understanding of music's expression of emotion must lead to a correct view of the nature of emotion itself. Such an understanding will yield the view that emotion is a state of consciousness which is both intentional and affective, and at the same time totally undermine the view that emotions are, or necessarily involve, judgments or evaluations.
OpenAlex reports 56 citations for this work. Citation counts describe recorded attention and do not establish research quality.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
It is a remarkable feature of most contemporary discussions of emotion that they have been conducted without any reference to what it could mean to talk of the expression of emotion in music. This is a crucial absence, I shall argue, since a proper understanding of music's expression of emotion must lead to a correct view of the nature of emotion itself. Such an understanding will yield the view that emotion is a state of consciousness which is both intentional and affective, and at the same time totally undermine the view that emotions are, or necessarily involve, judgments or evaluations.
Key concepts: Expression (computer science), Psychology, Two-factor theory of emotion, Consciousness, Emotion work, Cognitive psychology, Affective science, Feature (linguistics)