2003•Journal of Yunnan Normal UniversityRequires access

A new inquiny concerning Shi Tao's "one drawing" Aesthetics

Shi Rong-hua

Abstract

Shi Tao's one drawing theory contains plenty of aesthetic ideas. From the modern aesthetic level, this essay discusses the idea of subject artistic experience in Shi Tao's Aesthetics, which has shown modern consciousness. There are three causes to form Shi Tao's aesthetic idea: the first is the complicated, deep idea of missing Ming dynasty; the second is the practically artistic idea of learning nature by traveling; the last is the highest state of surpassing Buddha to the ultimate insight of Zenism.

About this research paper

What this paper is about

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Key concepts: Aesthetics, Consciousness, Gautama Buddha, Subject (documents), Aesthetic theory, Philosophy, Art, Aesthetic experience