2002Unpublished venueRequires access

A Study of the Relationship Between Nature and Tao the Philosophical Access of the Ancient Chinese Aesthetics

Niu Fu-zhe

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Abstract

Tao(logos)is of great influence in the field of the ancient Chinese aesthetics.It is not the tao of a school or asect,but a culture spirit mainly based on Confucianism and Tao,a study of the relationship between nature and man.So it does not belong to any aesthetic concept.But,the experiencing manners of emptiness to Lao Zhuang’s Tao and the pursuit of the golden mean to Canfucian and Meng’s Tao are,in fact,the important aesthetic concepts.In addition.with the integrated influence of Xin(mind)and Qi(air),the two moumenon meaning,the concepts push forward the unique characteristics of the ancient Chinese aesthetics and aesthetic concept as well.Tao to Xin,Qi can also hold and involve it.So,Tao is not the philosophical access.This paper describes the found amental conditions of the ancient Chinese aesthetic concepts form the point of view-Tao.

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What this paper is about

Tao(logos)is of great influence in the field of the ancient Chinese aesthetics.It is not the tao of a school or asect,but a culture spirit mainly based on Confucianism and Tao,a study of the relationship between nature and man.So it does not belong to any aesthetic concept.But,the experiencing manners of emptiness to Lao Zhuang’s Tao and the pursuit of the golden mean to Canfucian and Meng’s Tao are,in fact,the important aesthetic concepts.In addition.with the integrated influence of Xin(mind)and Qi(air),the two moumenon meaning,the concepts push forward the unique characteristics of the ancient Chinese aesthetics and aesthetic concept as well.Tao to Xin,Qi can also hold and involve it.So,Tao is not the philosophical access.This paper describes the found amental conditions of the ancient Chinese aesthetic concepts form the point of view-Tao.

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Available abstract

Tao(logos)is of great influence in the field of the ancient Chinese aesthetics.It is not the tao of a school or asect,but a culture spirit mainly based on Confucianism and Tao,a study of the relationship between nature and man.So it does not belong to any aesthetic concept.But,the experiencing manners of emptiness to Lao Zhuang’s Tao and the pursuit of the golden mean to Canfucian and Meng’s Tao are,in fact,the important aesthetic concepts.In addition.with the integrated influence of Xin(mind)and Qi(air),the two moumenon meaning,the concepts push forward the unique characteristics of the ancient Chinese aesthetics and aesthetic concept as well.Tao to Xin,Qi can also hold and involve it.So,Tao is not the philosophical access.This paper describes the found amental conditions of the ancient Chinese aesthetic concepts form the point of view-Tao.

Key concepts: Logos Bible Software, Emptiness, Aesthetics, Meaning (existential), Philosophy, Chinese culture, Art, Literature

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