An Exploration of Shi Tao's Aesthetic Theory
Fang Yiyun
Abstract
Fang Yiyun
Abstract
Shi Tao's aesthetics attaches great importance to the idea of ”authenticity”, and the openness of consciousness. He speaks of “one method” and “one method”. He attaches importance to eliminating the adhesiveness of hearing, self-evidence and self-awareness everywhere. “The Heart is Like Spring Snow” depicts the painting realm in the realm of Langjie. Shi Tao's thought fully reflects the ideological essence of Confucianism, Buddhism, and Taoism, Hua Yan's harmonious thoughts, Prajna view, and Zen's “reality” The thought of the “Fuji Method” realm has a great influence on its discussion of “Fa”. From the perspective of ideology, this article explores the origin of Shi Tao's method of truth.
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Shi Tao's aesthetics attaches great importance to the idea of ”authenticity”, and the openness of consciousness. He speaks of “one method” and “one method”. He attaches importance to eliminating the adhesiveness of hearing, self-evidence and self-awareness everywhere. “The Heart is Like Spring Snow” depicts the painting realm in the realm of Langjie. Shi Tao's thought fully reflects the ideological essence of Confucianism, Buddhism, and Taoism, Hua Yan's harmonious thoughts, Prajna view, and Zen's “reality” The thought of the “Fuji Method” realm has a great influence on its discussion of “Fa”. From the perspective of ideology, this article explores the origin of Shi Tao's method of truth.
Key concepts: Realm, Ideology, Taoism, Aesthetics, Buddhism, Philosophy, Consciousness, Perspective (graphical)