Shift of Interest in Contemporary Music Education
Zhu Yu-jiang
Abstract
Zhu Yu-jiang
Abstract
As China's music education adopted a western model in the past taking western music as the center of interest her music products education perfomances and even people's sense of hearing and value on history inevitably register a western touch. Nowadays with multi-cultural music education becoming a mainstream how to develop China's national music education in the global context has become an issue that begs consideration. From the perspective of knowledge renewal this paper examines the present music education in China and stresses the need for a shift of interest from western-music teaching that emphasizes technique training to multi-cultural music education that develops students' cultural understanding.
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As China's music education adopted a western model in the past taking western music as the center of interest her music products education perfomances and even people's sense of hearing and value on history inevitably register a western touch. Nowadays with multi-cultural music education becoming a mainstream how to develop China's national music education in the global context has become an issue that begs consideration. From the perspective of knowledge renewal this paper examines the present music education in China and stresses the need for a shift of interest from western-music teaching that emphasizes technique training to multi-cultural music education that develops students' cultural understanding.
Key concepts: Music education, Mainstream, China, Music history, Music Geography, Sociology, Context (archaeology), Musicology