Similarity in appearance and imagery shape of Chinese paintings

A Chinese painting is a national one.It's the result of the nourishment of our national philosophical and aesthetic ideology and has distinct national characters.In dealing with the relation between human and nature,it emphases on the thought of universal integration on the basis of human beings.It starts with aesthetic creaction as its subject and communicates with the opposite side between mind and body.Subject throws in object.Object is melt into subject.It refines and enriches objective nature typically,which makes painters achieve the unity of subjective feelings,and aesthetic interets to the extent that mind and body are both forgotten or agree with each other so as to display a unified imagery shape in the similarity ofmeaningandsymbol.A literary painting,beginning in the Song and Yuan Dynasties,popular in the Ming and Qing Dynasties,makes imagery shape of the Chinese painting change and develop and fully reflects the basic characters of its imagery shape.