2008Journal of Lanzhou UniversityRequires access

Image from Nature and the Chinese Landscape Painting

Wang Ting-hua

Open publisher page 0 citations

Abstract

Chinese painting,as a visual manifestation of the Chinese philosophy,is aimed at reaching the idea by via of images from nature so as to acquire the ultimate harmony between man and nature.Thus,the goal of Chinese painting does not lie in similitude of forms but in a spiritual affinity.

About this research paper

What this paper is about

Chinese painting,as a visual manifestation of the Chinese philosophy,is aimed at reaching the idea by via of images from nature so as to acquire the ultimate harmony between man and nature.Thus,the goal of Chinese painting does not lie in similitude of forms but in a spiritual affinity.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Chinese painting,as a visual manifestation of the Chinese philosophy,is aimed at reaching the idea by via of images from nature so as to acquire the ultimate harmony between man and nature.Thus,the goal of Chinese painting does not lie in similitude of forms but in a spiritual affinity.

Key concepts: Painting, Harmony (color), Landscape painting, Chinese painting, Aesthetics, Chinese philosophy, Similitude, China

Related papers

Back to paper searchBrowse research topicsOriginal source
Image from Nature and the Chinese Landscape Painting — Research Paper | ScholarLens