Research on the Nationalization of Opera Aria and Singing
Hui Xu, Qi Chen
Abstract
Open-access reader
Hui Xu, Qi Chen
Abstract
Open-access reader
Opera, since its born in 1920s, Chinese opera became one monobasic of numerous art form in the performing arts of China.Until now, the Chinese opera has developed for more than 80 years and in its creation path, it has formed its own unique artistic style, that it not only taken the characteristics of opera, but also and more importantly, it has absorbed the essence of many Chinese art which attained the opera with Chinese characteristics.Therefore, it is necessary to study on "nationalization" for research of Chinese opera.Research of this topic will mainly get on through collecting and analyzing studies of nationalization of some works' aria and singing, so the work itself, information of personal feelings of creators and artist, and related music criticism will be the main object.As the theoretical basis of writing, western opera, drama, and the national vocal music will also be important parts of this study.
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Opera, since its born in 1920s, Chinese opera became one monobasic of numerous art form in the performing arts of China.Until now, the Chinese opera has developed for more than 80 years and in its creation path, it has formed its own unique artistic style, that it not only taken the characteristics of opera, but also and more importantly, it has absorbed the essence of many Chinese art which attained the opera with Chinese characteristics.Therefore, it is necessary to study on "nationalization" for research of Chinese opera.Research of this topic will mainly get on through collecting and analyzing studies of nationalization of some works' aria and singing, so the work itself, information of personal feelings of creators and artist, and related music criticism will be the main object.As the theoretical basis of writing, western opera, drama, and the national vocal music will also be important parts of this study.
Key concepts: Opera, Singing, Drama, Style (visual arts), China, Object (grammar), Visual arts, Criticism