2011•Medical Entomology and ZoologyRequires access

Louise Bourgeois: The Fabric Works

L. J. Bourgeois, Germano Celant, Fondazione Emilio e Annabianca Vedova, Hauser Wirth London

Open publisher page 4 citations

Abstract

This is a groundbreaking work edited by Germano Celant in collaboration with the artist and her New York studio that enriches our knowledge of Louise Bourgeois. Louise Bourgeois, who has produced art since the 1930s, began in the 1990s to use her clothes and the clothes of her loved ones as components in her sculptures and drawings. It is as much a reincarnation of her past and her childhood as a confirmation of her relationship with memory. Her visual approach to fabrics transforms decorative accessories into emotional and personal references which, especially in her Cells and later in her drawings, create representations of a tormented and at the same time powerful womanhood. Further development of the artists work began in 2002: exploiting the iridescent colours and formal structural properties of pieces of her clothing, she created The Fabric Drawings, astonishing works alternating between floral figurative pieces and chromatic abstractions. This set of images is collected here in its entirety for the first time, constituting the closest thing yet to a general catalogue.

About this research paper

What this paper is about

This is a groundbreaking work edited by Germano Celant in collaboration with the artist and her New York studio that enriches our knowledge of Louise Bourgeois. Louise Bourgeois, who has produced art since the 1930s, began in the 1990s to use her clothes and the clothes of her loved ones as components in her sculptures and drawings. It is as much a reincarnation of her past and her childhood as a confirmation of her relationship with memory. Her visual approach to fabrics transforms decorative accessories into emotional and personal references which, especially in her Cells and later in her drawings, create representations of a tormented and at the same time powerful womanhood. Further development of the artists work began in 2002: exploiting the iridescent colours and formal structural properties of pieces of her clothing, she created The Fabric Drawings, astonishing works alternating between floral figurative pieces and chromatic abstractions. This set of images is collected here in its entirety for the first time, constituting the closest thing yet to a general catalogue.

Why it matters

OpenAlex reports 4 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

This is a groundbreaking work edited by Germano Celant in collaboration with the artist and her New York studio that enriches our knowledge of Louise Bourgeois. Louise Bourgeois, who has produced art since the 1930s, began in the 1990s to use her clothes and the clothes of her loved ones as components in her sculptures and drawings. It is as much a reincarnation of her past and her childhood as a confirmation of her relationship with memory. Her visual approach to fabrics transforms decorative accessories into emotional and personal references which, especially in her Cells and later in her drawings, create representations of a tormented and at the same time powerful womanhood. Further development of the artists work began in 2002: exploiting the iridescent colours and formal structural properties of pieces of her clothing, she created The Fabric Drawings, astonishing works alternating between floral figurative pieces and chromatic abstractions. This set of images is collected here in its entirety for the first time, constituting the closest thing yet to a general catalogue.

Key concepts: Art, Bourgeoisie, Sculpture, Visual arts, Clothing, Studio, Literal and figurative language, Art history

Related papers

Back to paper searchBrowse research topicsOriginal source
Louise Bourgeois: The Fabric Works — Research Paper | ScholarLens