ON THE RESIDENCE OF TAKATSUKASA-FAMILY AT THE EARLY MODERN PERIOD
勝也 藤田
Abstract
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勝也 藤田
Abstract
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The purpose of this study is to clarify the realities of Heian revivalistic style of the court-noble's residence at the early modern period. In this paper, the residence of the Takatsukasa-family especially were taken up and the history of the residences at the early modern period was confirmed. The shinden had the Heian revivalistic style since the latter half of the 17th century. After conflagration Tenmei, this style was completed, and was realized by the following three factors: the investigation by Kozen Uramatsu, a strong commitment to the restoration by Sukehira Takatsukasa, and the execution design by Harima Kigo.
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The purpose of this study is to clarify the realities of Heian revivalistic style of the court-noble's residence at the early modern period. In this paper, the residence of the Takatsukasa-family especially were taken up and the history of the residences at the early modern period was confirmed. The shinden had the Heian revivalistic style since the latter half of the 17th century. After conflagration Tenmei, this style was completed, and was realized by the following three factors: the investigation by Kozen Uramatsu, a strong commitment to the restoration by Sukehira Takatsukasa, and the execution design by Harima Kigo.
Key concepts: Residence, Period (music), Style (visual arts), History, Demography, Ancient history, Sociology, Art