The Coming of Photography in India
Christopher Pinney
Abstract
Christopher Pinney
Abstract
Though photography reaches back as far as the sixteenth-century's camera obscura projects, it wasn't until the British colonial period that amateur photographers introduced their technology to the Indian subcontinent. By the end of the nineteenth century, however, was at the centre of a representational revolution. Was photography in simply a void, waiting to be filled by pre-existing cultural and historical practice? Or was it disruptive, throwing up new opportunities, prophesying new social formations, and bringing anxieties about formerly secluded events and practices into a newly visible sphere? The Coming of Photography in India transcends traditional cultural and technological narratives in order to present a subtle and compelling account of the limits, possibilities, and consequences of photography.Examining technology in order to explain the dynamic incarnation of photographic practice as cure, poison, and prophecy, Pinney presents a bold account which will reward anyone with an interest in India, photography, or the history of the book. Accompanied by beautiful illustrations and a large number of previously unpublished images, this volume presents a sophisticated account of the 'disturbance' which photography has brought to all our lives.
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Though photography reaches back as far as the sixteenth-century's camera obscura projects, it wasn't until the British colonial period that amateur photographers introduced their technology to the Indian subcontinent. By the end of the nineteenth century, however, was at the centre of a representational revolution. Was photography in simply a void, waiting to be filled by pre-existing cultural and historical practice? Or was it disruptive, throwing up new opportunities, prophesying new social formations, and bringing anxieties about formerly secluded events and practices into a newly visible sphere? The Coming of Photography in India transcends traditional cultural and technological narratives in order to present a subtle and compelling account of the limits, possibilities, and consequences of photography.Examining technology in order to explain the dynamic incarnation of photographic practice as cure, poison, and prophecy, Pinney presents a bold account which will reward anyone with an interest in India, photography, or the history of the book. Accompanied by beautiful illustrations and a large number of previously unpublished images, this volume presents a sophisticated account of the 'disturbance' which photography has brought to all our lives.
Key concepts: Photography, Amateur, History of photography, Visual arts, Period (music), History, Narrative, Art