2008Unpublished venueRequires access

The Coming of Photography in India

Christopher Pinney

Open publisher page 190 citations

Abstract

Though photography reaches back as far as the sixteenth-century's camera obscura projects, it wasn't until the British colonial period that amateur photographers introduced their technology to the Indian subcontinent. By the end of the nineteenth century, however, was at the centre of a representational revolution. Was photography in simply a void, waiting to be filled by pre-existing cultural and historical practice? Or was it disruptive, throwing up new opportunities, prophesying new social formations, and bringing anxieties about formerly secluded events and practices into a newly visible sphere? The Coming of Photography in India transcends traditional cultural and technological narratives in order to present a subtle and compelling account of the limits, possibilities, and consequences of photography.Examining technology in order to explain the dynamic incarnation of photographic practice as cure, poison, and prophecy, Pinney presents a bold account which will reward anyone with an interest in India, photography, or the history of the book. Accompanied by beautiful illustrations and a large number of previously unpublished images, this volume presents a sophisticated account of the 'disturbance' which photography has brought to all our lives.

About this research paper

What this paper is about

Though photography reaches back as far as the sixteenth-century's camera obscura projects, it wasn't until the British colonial period that amateur photographers introduced their technology to the Indian subcontinent. By the end of the nineteenth century, however, was at the centre of a representational revolution. Was photography in simply a void, waiting to be filled by pre-existing cultural and historical practice? Or was it disruptive, throwing up new opportunities, prophesying new social formations, and bringing anxieties about formerly secluded events and practices into a newly visible sphere? The Coming of Photography in India transcends traditional cultural and technological narratives in order to present a subtle and compelling account of the limits, possibilities, and consequences of photography.Examining technology in order to explain the dynamic incarnation of photographic practice as cure, poison, and prophecy, Pinney presents a bold account which will reward anyone with an interest in India, photography, or the history of the book. Accompanied by beautiful illustrations and a large number of previously unpublished images, this volume presents a sophisticated account of the 'disturbance' which photography has brought to all our lives.

Why it matters

OpenAlex reports 190 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Though photography reaches back as far as the sixteenth-century's camera obscura projects, it wasn't until the British colonial period that amateur photographers introduced their technology to the Indian subcontinent. By the end of the nineteenth century, however, was at the centre of a representational revolution. Was photography in simply a void, waiting to be filled by pre-existing cultural and historical practice? Or was it disruptive, throwing up new opportunities, prophesying new social formations, and bringing anxieties about formerly secluded events and practices into a newly visible sphere? The Coming of Photography in India transcends traditional cultural and technological narratives in order to present a subtle and compelling account of the limits, possibilities, and consequences of photography.Examining technology in order to explain the dynamic incarnation of photographic practice as cure, poison, and prophecy, Pinney presents a bold account which will reward anyone with an interest in India, photography, or the history of the book. Accompanied by beautiful illustrations and a large number of previously unpublished images, this volume presents a sophisticated account of the 'disturbance' which photography has brought to all our lives.

Key concepts: Photography, Amateur, History of photography, Visual arts, Period (music), History, Narrative, Art

Related papers

Back to paper searchBrowse research topicsOriginal source
The Coming of Photography in India — Research Paper | ScholarLens