2017Research Open (London South Bank University)Open access

Co-creating in the Networks: A Reply to “What is 21st Century Photography?” [Internet Publication]

Andrew Dewdney

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Abstract

In this new essay, writer and researcher Andrew Dewdney responds to Daniel Rubinstein’s essay What is 21st Century Photography? published by The Photographers’ Gallery in July 2015. The new conditions of accelerated capitalism and its computational logic does demand that we un-think photography as it has been known. This requires new research strategies, which go beyond enquiries by single academic knowledge disciplines or the individual practices of photography and art. A transdisciplinary approach to understanding the interface between mathematical and cultural coding is needed in order to engage productively with the flat topology of the computer screen. A complete rethink of the boundaries between art, media, society and technology is needed. Art as photography and photography as art is a busted flush trumped by the Internet and its networks.

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In this new essay, writer and researcher Andrew Dewdney responds to Daniel Rubinstein’s essay What is 21st Century Photography? published by The Photographers’ Gallery in July 2015. The new conditions of accelerated capitalism and its computational logic does demand that we un-think photography as it has been known. This requires new research strategies, which go beyond enquiries by single academic knowledge disciplines or the individual practices of photography and art. A transdisciplinary approach to understanding the interface between mathematical and cultural coding is needed in order to engage productively with the flat topology of the computer screen. A complete rethink of the boundaries between art, media, society and technology is needed. Art as photography and photography as art is a busted flush trumped by the Internet and its networks.

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Available abstract

In this new essay, writer and researcher Andrew Dewdney responds to Daniel Rubinstein’s essay What is 21st Century Photography? published by The Photographers’ Gallery in July 2015. The new conditions of accelerated capitalism and its computational logic does demand that we un-think photography as it has been known. This requires new research strategies, which go beyond enquiries by single academic knowledge disciplines or the individual practices of photography and art. A transdisciplinary approach to understanding the interface between mathematical and cultural coding is needed in order to engage productively with the flat topology of the computer screen. A complete rethink of the boundaries between art, media, society and technology is needed. Art as photography and photography as art is a busted flush trumped by the Internet and its networks.

Key concepts: Photography, The Internet, Visual arts, Sociology, Computational photography, Art, Media studies, Computer science

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