Unveiling the Contemporary in Virginia Woolf
Patricia Marouvo Fagundes
Abstract
Open-access reader
Patricia Marouvo Fagundes
Abstract
Open-access reader
This article aims to discuss Virginia Woolf’s critical appraisal of the contemporariness of her contemporaries’ production, focusing on her 1923 essay “How It Strikes a Contemporary”. To that end, it contextualizes the publication of The Common Reader – First Series (1925) so as to problematize its conversational quality as a philosophical principle inherent to Woolf’s oeuvre (Pinho 2020). A comparison is also drawn between Woolf’s “How It Strikes a Contemporary” and Giorgio Agamben’s “What Is the Contemporary?” (2009) in order to shed light on the intersections between contemporary philosophy and the philosophical questions we find in Woolf’s writing.
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This article aims to discuss Virginia Woolf’s critical appraisal of the contemporariness of her contemporaries’ production, focusing on her 1923 essay “How It Strikes a Contemporary”. To that end, it contextualizes the publication of The Common Reader – First Series (1925) so as to problematize its conversational quality as a philosophical principle inherent to Woolf’s oeuvre (Pinho 2020). A comparison is also drawn between Woolf’s “How It Strikes a Contemporary” and Giorgio Agamben’s “What Is the Contemporary?” (2009) in order to shed light on the intersections between contemporary philosophy and the philosophical questions we find in Woolf’s writing.
Key concepts: Order (exchange), Literature, Philosophy, Contemporary theory, Art, Aesthetics, Art history, Epistemology