Research of Tech Styles in Contemporary Music
Cai Wang
Abstract
Open-access reader
Cai Wang
Abstract
Open-access reader
The technical methods in the music works are not isolated. They are not only related to the social environment of society and history, but also closely related to the cultural thoughts and musical style of the period. In the mainstream music styles of the 1920s and 1930s, the romantic temperament and the mixed elements of the style are universal in this era. At the same time, with the development of the concerto genre in the 20th century, the inherent form of it also tends to be more flexible. The radical nature of technical language and the traditional nature of expression. It can be said that this duality constitutes Berg's main artistic feature. Innovation under inheritance and development is an important manifestation of the value of music.
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The technical methods in the music works are not isolated. They are not only related to the social environment of society and history, but also closely related to the cultural thoughts and musical style of the period. In the mainstream music styles of the 1920s and 1930s, the romantic temperament and the mixed elements of the style are universal in this era. At the same time, with the development of the concerto genre in the 20th century, the inherent form of it also tends to be more flexible. The radical nature of technical language and the traditional nature of expression. It can be said that this duality constitutes Berg's main artistic feature. Innovation under inheritance and development is an important manifestation of the value of music.
Key concepts: Style (visual arts), Mainstream, Period (music), Value (mathematics), Aesthetics, Romance, Expression (computer science), Musical