Judy Chicago at LewAllen Contemporary.
Sarah Sanderson King
Abstract
Sarah Sanderson King
Abstract
article informs about an art exhibition by artist Judy Chicago at exhibition center LewAllen Contemporary. Chicago instantly conjures up her iconic feminist installation The Dinner Party, this show, which focused exclusively on works made between 1965 and 1973, and provided a rare opportunity to view the artist's earlier and diverse body of Minimalist abstractions. Comprising over 50 objects in a wide range of formats--including sculpture, painting, drawing and the artist's book--the exhibition highlighted Chicago's formal investigations into the transcendent and material properties of color, space and form.
OpenAlex reports 1 citations for this work. Citation counts describe recorded attention and do not establish research quality.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
article informs about an art exhibition by artist Judy Chicago at exhibition center LewAllen Contemporary. Chicago instantly conjures up her iconic feminist installation The Dinner Party, this show, which focused exclusively on works made between 1965 and 1973, and provided a rare opportunity to view the artist's earlier and diverse body of Minimalist abstractions. Comprising over 50 objects in a wide range of formats--including sculpture, painting, drawing and the artist's book--the exhibition highlighted Chicago's formal investigations into the transcendent and material properties of color, space and form.
Key concepts: Exhibition, Sculpture, Painting, Art, Visual arts, Installation art, Space (punctuation), Contemporary art