The survey of illustration oration in forughfarrokhzad poems

Abstract: The main subject of this study is survey Forough farrokhzad poetic images. In this Research, by addressing imaging components trope, simile, metaphor, myth, Archetypal, symbol, allegory,antonomasia, Synaesthesia and paradox, poetic images Farrokhzad described. Farrokhzad using all the tricks of fanciful elements and with a new attitude, his poetry from traditional poetry duplicate images left and managed to create innovative images and creative it is. Among the variety of imagery in poetry Farrokhzad, simile and personification Frequency to the other elements are dominant. Forough similes, often of sensory sensory and intellectual sense. Some Farrokhzad similes Accompanied with the construction of new and new similaritis and ambiguous Widespread use of Farrokhzad of personification due to his following of romanticism and symbolism of the school. antonomasia , symbol and metaphor stipulated in the next orders, with the most frequent Forough imager components. Forough According to the West literary school, such as Surrealism and Imagism creates images out of range of the traditional rhetoric. Forough poetry, though traces of the literary school Imagism, realism and surrealism to be seen, but tendency Forough Imagery.features, often by schools of romanticism, symbolism and modernism.Forough romantic Pictures , in addition to the first anthology, he is also evident in the last two anthology.However, taking maximum advantage of the symbols of the two anthology of Tavallodi Digar and Iman Biyavarim Be Aghaze Fasle Sard and the characteristics of modernist Her poetry, as presents Farrokhzad Symbolist poet and modernist.The inimitable taste and attitude change in the late Forough poet, makes Farrokhzad, his poetry is limited to comply with the a particular school does not. always new image is dynamic and creative thinking.