2020Oxford University Press eBooksRequires access

Early Dances and Ballets

Anna Pakes

Open publisher page 1 citations

Abstract

Chapter 1 explores the historical development of dance in Europe, from the Renaissance to the early eighteenth century, focusing particularly on the themes of dance structures, authorship, and autonomy. It considers early modern and secondary sources on social dance, the ballet de cour, and baroque dance, developing the argument that none of these practices produces dance works in the modern sense. Nonetheless, early dance sources to concepts of dance-as-object and dance as “performable” operating well before the idea of a work of dance art develops. This first chapter, then, explores what might be termed the early prehistory of the dance work, through analysis of different ways in which dances are conceived, composed, notated, performed, and linked to developing artistic traditions.

About this research paper

What this paper is about

Chapter 1 explores the historical development of dance in Europe, from the Renaissance to the early eighteenth century, focusing particularly on the themes of dance structures, authorship, and autonomy. It considers early modern and secondary sources on social dance, the ballet de cour, and baroque dance, developing the argument that none of these practices produces dance works in the modern sense. Nonetheless, early dance sources to concepts of dance-as-object and dance as “performable” operating well before the idea of a work of dance art develops. This first chapter, then, explores what might be termed the early prehistory of the dance work, through analysis of different ways in which dances are conceived, composed, notated, performed, and linked to developing artistic traditions.

Why it matters

OpenAlex reports 1 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Chapter 1 explores the historical development of dance in Europe, from the Renaissance to the early eighteenth century, focusing particularly on the themes of dance structures, authorship, and autonomy. It considers early modern and secondary sources on social dance, the ballet de cour, and baroque dance, developing the argument that none of these practices produces dance works in the modern sense. Nonetheless, early dance sources to concepts of dance-as-object and dance as “performable” operating well before the idea of a work of dance art develops. This first chapter, then, explores what might be termed the early prehistory of the dance work, through analysis of different ways in which dances are conceived, composed, notated, performed, and linked to developing artistic traditions.

Key concepts: Dance, Contemporary dance, Ballet, Modern dance, Dance improvisation, Concert dance, Choreography, Art

Related papers

Back to paper searchBrowse research topicsOriginal source
Early Dances and Ballets — Research Paper | ScholarLens