2009•Journal of Anhui UniversityRequires access

The Spiritual Origin of Modern Chinese Aesthetics

Nie Zhen-bin

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Abstract

From the late 19th century to the 1940's,a well-accomplished theoretical framework is established in modern chinese aesthetics,with emphasis on human well-being. Concerned about human existence,it foregrounds vigorous attitudes towards life,positive orientation in aesthetic education,inherent poetic inclination and a strong sense of cultural criticism. It bears inheritance to chinese aesthetic traditions and merges the aesthetic,cultural and artistic elements in chinese and western thoughts.

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What this paper is about

From the late 19th century to the 1940's,a well-accomplished theoretical framework is established in modern chinese aesthetics,with emphasis on human well-being. Concerned about human existence,it foregrounds vigorous attitudes towards life,positive orientation in aesthetic education,inherent poetic inclination and a strong sense of cultural criticism. It bears inheritance to chinese aesthetic traditions and merges the aesthetic,cultural and artistic elements in chinese and western thoughts.

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Available abstract

From the late 19th century to the 1940's,a well-accomplished theoretical framework is established in modern chinese aesthetics,with emphasis on human well-being. Concerned about human existence,it foregrounds vigorous attitudes towards life,positive orientation in aesthetic education,inherent poetic inclination and a strong sense of cultural criticism. It bears inheritance to chinese aesthetic traditions and merges the aesthetic,cultural and artistic elements in chinese and western thoughts.

Key concepts: Aesthetics, Criticism, Inheritance (genetic algorithm), Poetry, Orientation (vector space), Sociology, Philosophy, Literature

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