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The Tension between Meaning of Thoughth History and Feeling of Experience——Two-Dimensional Expansion in Study of Chinese Modern Aesthetics

Liu Yi-qing

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Abstract

play a mandate of Enlightenment in China,the human values of Aesthetics as Critique of modern embodied in the discourse such as Art for life sake and Aesthetic instead of Religion.Based on the achievement of China's modern aesthetics in Life Aesthetics,We should pay attention to aesthetics as a methodology in sensibility.Chinese Modern research should expand the research horizon,describ the phenomenon of aesthetic experience of modern China,in order to outlines the change of Chinese aesthetics consciousness in Modern Transformation.

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play a mandate of Enlightenment in China,the human values of Aesthetics as Critique of modern embodied in the discourse such as Art for life sake and Aesthetic instead of Religion.Based on the achievement of China's modern aesthetics in Life Aesthetics,We should pay attention to aesthetics as a methodology in sensibility.Chinese Modern research should expand the research horizon,describ the phenomenon of aesthetic experience of modern China,in order to outlines the change of Chinese aesthetics consciousness in Modern Transformation.

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Available abstract

play a mandate of Enlightenment in China,the human values of Aesthetics as Critique of modern embodied in the discourse such as Art for life sake and Aesthetic instead of Religion.Based on the achievement of China's modern aesthetics in Life Aesthetics,We should pay attention to aesthetics as a methodology in sensibility.Chinese Modern research should expand the research horizon,describ the phenomenon of aesthetic experience of modern China,in order to outlines the change of Chinese aesthetics consciousness in Modern Transformation.

Key concepts: Aesthetics, Feeling, Sensibility, Enlightenment, Embodied cognition, Consciousness, Meaning (existential), China

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