2018Edward Elgar Publishing eBooksRequires access

Street art, graffiti and copyright

Enrico Bonadio

Open publisher page 3 citations

Abstract

The chapter analyses to what extent copyright laws, in particular in the US and to a lesser extent in the UK, are capable of regulating street art and graffiti. Particular attention is paid to whether such laws can accommodate the needs of street and graffiti artists, and give them appropriate tools to protect their works. The focus is on selected copyright-related aspects which are relevant to street and graffiti art, namely: (a) requirements for protection; (b) moral rights (with emphasis on whether the integrity right could be invoked by this category of artists to oppose the destruction and removal of their pieces); and (c) economic and moral rights protection of illegal works.

About this research paper

What this paper is about

The chapter analyses to what extent copyright laws, in particular in the US and to a lesser extent in the UK, are capable of regulating street art and graffiti. Particular attention is paid to whether such laws can accommodate the needs of street and graffiti artists, and give them appropriate tools to protect their works. The focus is on selected copyright-related aspects which are relevant to street and graffiti art, namely: (a) requirements for protection; (b) moral rights (with emphasis on whether the integrity right could be invoked by this category of artists to oppose the destruction and removal of their pieces); and (c) economic and moral rights protection of illegal works.

Why it matters

OpenAlex reports 3 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

The chapter analyses to what extent copyright laws, in particular in the US and to a lesser extent in the UK, are capable of regulating street art and graffiti. Particular attention is paid to whether such laws can accommodate the needs of street and graffiti artists, and give them appropriate tools to protect their works. The focus is on selected copyright-related aspects which are relevant to street and graffiti art, namely: (a) requirements for protection; (b) moral rights (with emphasis on whether the integrity right could be invoked by this category of artists to oppose the destruction and removal of their pieces); and (c) economic and moral rights protection of illegal works.

Key concepts: Graffiti, Moral rights, Political science, Focus (optics), Law, Copyright law, Law and economics, Sociology

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