2006Journal of Hebei University of Economics and TradeRequires access

On the Cinematographic Works and Protection of Author's Moral Rights

HU Yun-hon

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Abstract

Based on international conventions and treaties concerning copyright, this paper attempts to discuss the definition of cinematographic and its moral rights. By comparing the relative provisions in Chinese and Japanese copyright law, it discusses several faults in current copyright law, which are hoped to be rectified in the future modification of Chinese copyright law.

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What this paper is about

Based on international conventions and treaties concerning copyright, this paper attempts to discuss the definition of cinematographic and its moral rights. By comparing the relative provisions in Chinese and Japanese copyright law, it discusses several faults in current copyright law, which are hoped to be rectified in the future modification of Chinese copyright law.

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Available abstract

Based on international conventions and treaties concerning copyright, this paper attempts to discuss the definition of cinematographic and its moral rights. By comparing the relative provisions in Chinese and Japanese copyright law, it discusses several faults in current copyright law, which are hoped to be rectified in the future modification of Chinese copyright law.

Key concepts: Moral rights, Copyright law, Law, Political science, Law and economics, Sociology, Intellectual property

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