Authenticity and the aesthetic experience of history
Erich Hatala Matthes
Abstract
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Erich Hatala Matthes
Abstract
Open-access reader
In this paper, I argue that norms of artistic and aesthetic authenticity that prioritize material origins foreclose on broader opportunities for aesthetic experience: particularly, for the aesthetic experience of history. I focus on Carolyn Korsmeyer’s recent articles in defence of the aesthetic value of genuineness and argue that her rejection of the aesthetic significance of historical value is mistaken. Rather, I argue that recognizing the aesthetic significance of historical value points the way towards rethinking the dominance of the very norms of authenticity that Korsmeyer endeavors to defend and explain.
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In this paper, I argue that norms of artistic and aesthetic authenticity that prioritize material origins foreclose on broader opportunities for aesthetic experience: particularly, for the aesthetic experience of history. I focus on Carolyn Korsmeyer’s recent articles in defence of the aesthetic value of genuineness and argue that her rejection of the aesthetic significance of historical value is mistaken. Rather, I argue that recognizing the aesthetic significance of historical value points the way towards rethinking the dominance of the very norms of authenticity that Korsmeyer endeavors to defend and explain.
Key concepts: Aesthetic value, Aesthetics, Aesthetic experience, Value (mathematics), Dominance (genetics), Sociology, Epistemology, Art