2022Unpublished venueRequires access

FOR A NEW AESTHETICS, OR BACK TO AESTHETIC EXPERIENCE

Артем Евгеньевич Радеев

Open publisher page 1 citations

Abstract

The paper examines the main forms of “new aesthetics” and reveals the relationship of these forms with the analysis of aesthetic experience. It is argued that attention to the procedural nature of aesthetic experience, attention tothe moments of aesthetic experience, the introduction of a concept of aesthetic experience as a sensory experience of a multi ple form opens up some prospects for productivity in the history, theory and practice of aesthetics.

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What this paper is about

The paper examines the main forms of “new aesthetics” and reveals the relationship of these forms with the analysis of aesthetic experience. It is argued that attention to the procedural nature of aesthetic experience, attention tothe moments of aesthetic experience, the introduction of a concept of aesthetic experience as a sensory experience of a multi ple form opens up some prospects for productivity in the history, theory and practice of aesthetics.

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OpenAlex reports 1 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

The paper examines the main forms of “new aesthetics” and reveals the relationship of these forms with the analysis of aesthetic experience. It is argued that attention to the procedural nature of aesthetic experience, attention tothe moments of aesthetic experience, the introduction of a concept of aesthetic experience as a sensory experience of a multi ple form opens up some prospects for productivity in the history, theory and practice of aesthetics.

Key concepts: Aesthetics, Aesthetic experience, Aesthetic theory, Everyday Aesthetics, Psychology, Art

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