2018Frontiers of Philosophy in ChinaRequires access

From “Practice” to “Living”: Main Trends of Chinese Aesthetics in the Past 40 Years

Liu Yuedi

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Abstract

In the past 40 years, Chinese research in the field of philosophical aesthetics has made great progress in basic research and academic contributions. The Chinese approach to the ontology of contemporary aesthetics has played the most important role in this historical transition. A shifting paradigm of the ontology of aesthetics—from the concept of “practice” ( shijian 實踐) to the concept of “living” ( shenghuo 生活)—is assisting to integrate Chinese aesthetics into the context of globalization, and the future of Chinese aesthetics is both Chinese and global. “Aesthetics” is not just Ganxue 感学 in the sense of Aesthetica , it is also is a Juexue 觉学 that is closer to the sense of Aisthetik in Chinese context.

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What this paper is about

In the past 40 years, Chinese research in the field of philosophical aesthetics has made great progress in basic research and academic contributions. The Chinese approach to the ontology of contemporary aesthetics has played the most important role in this historical transition. A shifting paradigm of the ontology of aesthetics—from the concept of “practice” ( shijian 實踐) to the concept of “living” ( shenghuo 生活)—is assisting to integrate Chinese aesthetics into the context of globalization, and the future of Chinese aesthetics is both Chinese and global. “Aesthetics” is not just Ganxue 感学 in the sense of Aesthetica , it is also is a Juexue 觉学 that is closer to the sense of Aisthetik in Chinese context.

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Available abstract

In the past 40 years, Chinese research in the field of philosophical aesthetics has made great progress in basic research and academic contributions. The Chinese approach to the ontology of contemporary aesthetics has played the most important role in this historical transition. A shifting paradigm of the ontology of aesthetics—from the concept of “practice” ( shijian 實踐) to the concept of “living” ( shenghuo 生活)—is assisting to integrate Chinese aesthetics into the context of globalization, and the future of Chinese aesthetics is both Chinese and global. “Aesthetics” is not just Ganxue 感学 in the sense of Aesthetica , it is also is a Juexue 觉学 that is closer to the sense of Aisthetik in Chinese context.

Key concepts: Ontology, Aesthetics, Context (archaeology), Globalization, Everyday Aesthetics, Field (mathematics), Sociology, Chinese philosophy

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