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2014•Art monthly AustraliaRequires access

An evocation of desire: Juliana Engberg and the 19th Biennale of Sydney

Chloe Wolifson

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Abstract

When Juliana Engberg and I met to discuss her forthcoming Biennale of Sydney, it was fast approaching summer siesta time for much of the art world. However, the ebullient curator showed no signs of slowing down, having just returned from Melbourne where, wearing her other hat as Artistic Director of the Australian Centre for Contemporary Art (ACCA), she had opened an exhibition the night before. Back in Sydney, Engberg waxed lyrical about the biennale and its place within her broader practice.

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What this paper is about

When Juliana Engberg and I met to discuss her forthcoming Biennale of Sydney, it was fast approaching summer siesta time for much of the art world. However, the ebullient curator showed no signs of slowing down, having just returned from Melbourne where, wearing her other hat as Artistic Director of the Australian Centre for Contemporary Art (ACCA), she had opened an exhibition the night before. Back in Sydney, Engberg waxed lyrical about the biennale and its place within her broader practice.

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Available abstract

When Juliana Engberg and I met to discuss her forthcoming Biennale of Sydney, it was fast approaching summer siesta time for much of the art world. However, the ebullient curator showed no signs of slowing down, having just returned from Melbourne where, wearing her other hat as Artistic Director of the Australian Centre for Contemporary Art (ACCA), she had opened an exhibition the night before. Back in Sydney, Engberg waxed lyrical about the biennale and its place within her broader practice.

Key concepts: Evocation, Exhibition, Art history, Art, Contemporary art, Visual arts, Media studies, Sociology

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