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Aboriginal Art before It Became an Industry

Rosemary Crumlin

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Abstract

This excerpt is from an article that appeared in Eureka Street - volume 1, number 1, back in March 1991. In it, Rosemay Crumlin recalls travelling in search of Aboriginal Christian art for an exhibition to coincide with the World Council of Churches Assembly. She was joined on her pilgrimage by exhibition co-curator Anthony Waldegrave-Knight and the project's conceiver, Frank Brennan, then director of the Jesuit research and social action agency Uniya.

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What this paper is about

This excerpt is from an article that appeared in Eureka Street - volume 1, number 1, back in March 1991. In it, Rosemay Crumlin recalls travelling in search of Aboriginal Christian art for an exhibition to coincide with the World Council of Churches Assembly. She was joined on her pilgrimage by exhibition co-curator Anthony Waldegrave-Knight and the project's conceiver, Frank Brennan, then director of the Jesuit research and social action agency Uniya.

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Available abstract

This excerpt is from an article that appeared in Eureka Street - volume 1, number 1, back in March 1991. In it, Rosemay Crumlin recalls travelling in search of Aboriginal Christian art for an exhibition to coincide with the World Council of Churches Assembly. She was joined on her pilgrimage by exhibition co-curator Anthony Waldegrave-Knight and the project's conceiver, Frank Brennan, then director of the Jesuit research and social action agency Uniya.

Key concepts: Exhibition, Pilgrimage, Knight, Publishing, Project commissioning, Agency (philosophy), Management, Action (physics)

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