Maestro: Enrico Cecchetti and Diaghilev's Ballets Russes
Melonie B. Murray
Abstract
Melonie B. Murray
Abstract
With a few notable exceptions, the literature in ballet history generally discusses Enrico Cecchetti solely as a ballet teacher, ignoring his contributions as a performer, and even as a ballet master, to ballet history. During his affiliation with Diaghilev's Ballets Russes from 1911 until 1928, Cecchetti played a significant role, as a performer and a teacher, in the development of Diaghilev's Ballets Russes along three trajectories: as a virtuosic dancer who raised the standard for male dancing, as an exceptional mime artist who inspired choreographers and dancers alike, and as a ballet master who created a solid corps de ballet from a group of dancers with diverse training and backgrounds.
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With a few notable exceptions, the literature in ballet history generally discusses Enrico Cecchetti solely as a ballet teacher, ignoring his contributions as a performer, and even as a ballet master, to ballet history. During his affiliation with Diaghilev's Ballets Russes from 1911 until 1928, Cecchetti played a significant role, as a performer and a teacher, in the development of Diaghilev's Ballets Russes along three trajectories: as a virtuosic dancer who raised the standard for male dancing, as an exceptional mime artist who inspired choreographers and dancers alike, and as a ballet master who created a solid corps de ballet from a group of dancers with diverse training and backgrounds.
Key concepts: Ballet, Classical ballet, Performing arts, Art, Dance, Ballet dancer, Art history, Visual arts