Discussion on the Aesthetic Status of Calligraphic Art in Chinese Traditional Landscape Painting
JI Lin-li
Abstract
JI Lin-li
Abstract
In the long history of cultural development in our country has been prevailing an aesthetic view point and painting homology. As two pieces of treasure in the treasure house of Chinese traditional culture, calligraphy and landscape painting are closely linked. This article talks from the basic connotation of the aesthetic point view The Common Origin of Calligraphy and Painting , discusses the aesthetic status of calligraphic art in Chinese traditional landscape painting by interpreting the symbiosis of calligraphy and landscape painting, and do some reflection and exploration to the Chinese modern landscape painting.
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In the long history of cultural development in our country has been prevailing an aesthetic view point and painting homology. As two pieces of treasure in the treasure house of Chinese traditional culture, calligraphy and landscape painting are closely linked. This article talks from the basic connotation of the aesthetic point view The Common Origin of Calligraphy and Painting , discusses the aesthetic status of calligraphic art in Chinese traditional landscape painting by interpreting the symbiosis of calligraphy and landscape painting, and do some reflection and exploration to the Chinese modern landscape painting.
Key concepts: Calligraphy, Treasure, Painting, Landscape painting, Connotation, Art, Visual arts, Aesthetics