2011•Journal of Nanjing University of Science and TechnologyRequires access

A Feature Analysis of Traditional Culture and Ideology in Chinese Painting and Calligraphy

Zhao Sheng-li

Abstract

Based on a speculation of the philosophical elements in traditional Chinese culture,this paper analyzes the unique aesthetic features and aesthetic tastes in Chinese painting and calligraphy.The speculative characteristics and homologous theory in painting and calligraphy derive from the unique cognitive mode in ancient Chinese understanding of objects and natural world,so our aesthetic images are totally different from that of the west.

About this research paper

What this paper is about

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Key concepts: Calligraphy, Ideology, Speculation, Painting, Chinese painting, Aesthetics, Natural (archaeology), Feature (linguistics)