2001Journal of Peking UniversityRequires access

A Critical Survey of Contemporary Zen Aesthetics

Ben Ma

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Abstract

Zen aesthetics is an integral part of aesthetics both of ancient China and of the world. Achievements have been made in contemporary studies of Zen aesthetics, particularly in the area of basic theories and the relationship between Zen and traditional Chinese artistic forms. The studies focus primarily on exploring the deep relationship between Zen and literature and art. Research method has changed a great deal with many scholars resorting to western philosophy and psychology rather than the traditional intuitive way of thinking. The shortcoming of Zen aesthetic studies lies in the narrowness both of research methods and perspective.

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Zen aesthetics is an integral part of aesthetics both of ancient China and of the world. Achievements have been made in contemporary studies of Zen aesthetics, particularly in the area of basic theories and the relationship between Zen and traditional Chinese artistic forms. The studies focus primarily on exploring the deep relationship between Zen and literature and art. Research method has changed a great deal with many scholars resorting to western philosophy and psychology rather than the traditional intuitive way of thinking. The shortcoming of Zen aesthetic studies lies in the narrowness both of research methods and perspective.

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Zen aesthetics is an integral part of aesthetics both of ancient China and of the world. Achievements have been made in contemporary studies of Zen aesthetics, particularly in the area of basic theories and the relationship between Zen and traditional Chinese artistic forms. The studies focus primarily on exploring the deep relationship between Zen and literature and art. Research method has changed a great deal with many scholars resorting to western philosophy and psychology rather than the traditional intuitive way of thinking. The shortcoming of Zen aesthetic studies lies in the narrowness both of research methods and perspective.

Key concepts: Aesthetics, Perspective (graphical), Everyday Aesthetics, Focus (optics), China, Epistemology, Sociology, Philosophy

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