The Color of Mountains both Is and Is not: On JIANG Kui's Style of Ci
Cai Yong-heng
Abstract
Cai Yong-heng
Abstract
The appraisements for JIANG Kui's Ci always fluctuate between praise and blame because the appraisers have different view on JIANG Ci style. The paper discusses the connotation, characteristics and reasons and historic status ofQingkongstyle in JIANG Ci. The author regards that JIANG Ci seek a kind of beauty to pay attention to spirit and Fusion between Emotion and Scene, so JIANG Ci tastes natural and bald, which produced in meeting and confliction between history and actuality, inheriting and innovation. JIANG Ci is special beauty as well as reflection of Ci's decay.
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The appraisements for JIANG Kui's Ci always fluctuate between praise and blame because the appraisers have different view on JIANG Ci style. The paper discusses the connotation, characteristics and reasons and historic status ofQingkongstyle in JIANG Ci. The author regards that JIANG Ci seek a kind of beauty to pay attention to spirit and Fusion between Emotion and Scene, so JIANG Ci tastes natural and bald, which produced in meeting and confliction between history and actuality, inheriting and innovation. JIANG Ci is special beauty as well as reflection of Ci's decay.
Key concepts: Praise, Connotation, Style (visual arts), Beauty, Blame, Aesthetics, Reflection (computer programming), History