Su Shi's Aesthetical Origin
WU Bao-juan
Abstract
WU Bao-juan
Abstract
Su Shi's aesthetical origin that is called Sheng contains three following meanings.First,it means the natural process possess vigorous life-vitality.Second,it means that the aesthetical subject has vibrant life-spirit.Consequently,it aims to life experience and enlightenment that come from the assimilating between the vitality of nature and the spirit of aesthetical subject.Sushi's aesthetical origin, Sheng Yi,derived from his unique understanding of Tao.Because of the characters that cannot be described with any word of Tao,Su Shi interprets Tao with Yi.Vigorous life is called means that the endless vitality that is embodied in the depending and conversion with each other between the elements of Yin and Yang.The movement and change of Yi possesses the characteristics of Immutability and Absolute that clothe the natural process with various modality and vigorous life-vitality.
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Su Shi's aesthetical origin that is called Sheng contains three following meanings.First,it means the natural process possess vigorous life-vitality.Second,it means that the aesthetical subject has vibrant life-spirit.Consequently,it aims to life experience and enlightenment that come from the assimilating between the vitality of nature and the spirit of aesthetical subject.Sushi's aesthetical origin, Sheng Yi,derived from his unique understanding of Tao.Because of the characters that cannot be described with any word of Tao,Su Shi interprets Tao with Yi.Vigorous life is called means that the endless vitality that is embodied in the depending and conversion with each other between the elements of Yin and Yang.The movement and change of Yi possesses the characteristics of Immutability and Absolute that clothe the natural process with various modality and vigorous life-vitality.
Key concepts: Vitality, Enlightenment, Embodied cognition, Subject (documents), Aesthetics, Natural (archaeology), Immutability, Philosophy