2007Journal of Chongqing University of Arts and SciencesRequires access

Figures of "Woman Disguised as Man" in Novels and Dramas in Late Ming Dynasty and Early Qing Dynasty

Yanyan Zhang

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Abstract

In late Ming Dynasty and early Qing Dynasty,with the development of economy and reforms in the ideological circle,some writers turned to the female who had been repressed and ignored.They wrote about their love,talent,ability and self-independence.These female appeared in the works as figures of woman disguised as man.It showed that the female had to suffer from great pains both physically and psychologically in order to realize their dreams and exert their abilities.It also revealed the authors' psychological state when composing the works.

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What this paper is about

In late Ming Dynasty and early Qing Dynasty,with the development of economy and reforms in the ideological circle,some writers turned to the female who had been repressed and ignored.They wrote about their love,talent,ability and self-independence.These female appeared in the works as figures of woman disguised as man.It showed that the female had to suffer from great pains both physically and psychologically in order to realize their dreams and exert their abilities.It also revealed the authors' psychological state when composing the works.

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Available abstract

In late Ming Dynasty and early Qing Dynasty,with the development of economy and reforms in the ideological circle,some writers turned to the female who had been repressed and ignored.They wrote about their love,talent,ability and self-independence.These female appeared in the works as figures of woman disguised as man.It showed that the female had to suffer from great pains both physically and psychologically in order to realize their dreams and exert their abilities.It also revealed the authors' psychological state when composing the works.

Key concepts: Ideology, Independence (probability theory), Order (exchange), State (computer science), Literature, History, Art, Law

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